![]() They help you with daily activities whether if it is making a stressful phone call or shopping. ![]() They let you know when you are about to do something stupid. They pick you up and drop you off at your events. They will go to the end of the earth looking ridiculous just to make sure you are okay. They stand up for you and listen to your needs. They protect you from people and experiences. Your friends will take so much from other people, but when they see people giving it to you they go into protective mode. Lucky you though because they can give you all sorts of advice on everything! Your friends are very protective. They probably did a lot of things by themselves like grocery shopping before you. They had their own debit cards and wrote a check while you probably still had a piggy bank. Your friends were driving way before you even thought about it. ![]() Your friends were doing adult things way before you. David Allen Coe has truly sung one of the best country and western songs! Written by Steve Goodman who dubbed this song "The Perfect Country & Western Song), Steve Goodman later added a verse. This song tells the true story of Merle Haggard and his early days, If you watch the Folsom Prison videos by Johnny Cash, Merle Haggard was an inmate when Johnny sang there.ĥ. Mama Tried (Merle Haggard) written by Merle Haggard The other fighter pulled a knife on Billy Joe to which Billy pulled a small derringer from his boot and shot the fighter in the mouth.Ĥ. Billy Joe was in a bar fight outside a Waco, Texas saloon. Where Do You Want It (Dale Watson)This song was written by Dale Watson about Billy Joe Shaver, a Waco, Texas citizen and country music singer. Townes Van Zandt did not make the song popular but Willie scored a spot on the hit singles list for his rendition. Pancho was betrayed by Lefty who was paid off by Mexican Federales, Pancho was later Hung. Pancho & Lefty (Willie Nelson and Merle Haggard)This song written by Townes Van Zandt, is about two outlaw cowboys, Pancho and Lefty. Find an off-Broadway show, or go old school and find something that we haven’t heard in a while.2. Innovate! Don't regurgitate what another choreographer already did.” It’s okay-in fact, welcomed-to use songs from new or lesser-known musicals. He finishes by encouraging choreographers to “listen to music and pick songs from musicals that are NOT DANCE SHOWS. He reminds us that we don’t have to “rely on Tangled and Bathing Beauties for every petite number.” Joey agrees and suggests that choreographers shy away from songs that are known to be iconic dance numbers because these songs create expectations in terms of vocabulary, performance, and style. There are so many music sources out there, and judge Colin Shea Denniston emphasizes the importance of doing research, especially to find kid-friendly musical theater songs. Judges, many of whom are veterans of well-known musicals, are sick of hearing the same songs over and over. It also takes a very sophisticated ear to be able to work those nuances and we don’t always find that at the competitive level.” Similarly, NYC-based dancer and teacher, Kelly DiConzo, warns, “This trend can work for some advanced tappers who have an extensive knowledge of music theory and a trained ear for rhythm however, to set your dancers up for success, find a song with some percussion so they can work with the existing sounds and use them as a guide for timing and rhythms.”Īnother genre-specific pet peeve relates to Musical Theater. Tap is all about rhythm and it’s somewhat difficult to really work all the dynamics that tap requires, when tapping to lyrical. Joey explains that he no longer finds it innovative or interesting, and Jacqueline echoes these sentiments, explaining, “I’ve never been a huge fan of tapping to lyrical music. While exciting and innovative in 2014, this choice has now evolved to be a norm and many judges are bored and frustrated. The most notable example is tap dances to lyrical songs or ballads. Over the past few years, a trend has evolved wherein choreographers utilize what might be considered music suited to a different genre of dance. ![]() Appropriateness goes beyond age and thematic content, however. ![]()
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